{"id":100063,"date":"2019-10-27T23:58:54","date_gmt":"2019-10-27T22:58:54","guid":{"rendered":"https:\/\/highxtar.com\/?p=100063"},"modified":"2019-10-27T23:58:54","modified_gmt":"2019-10-27T22:58:54","slug":"sharna-osbornes-avant-garde-lo-fi-universe","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/sharna-osbornes-avant-garde-lo-fi-universe\/","title":{"rendered":"Sharna Osborne’s avant-garde lo-fi universe"},"content":{"rendered":"

The VHS crackles and the doors of a new universe open. Sharna Osborne (@sharnaosborne<\/a>) immerses us in an imaginary where codes 90’s, surrealism and subcultural movements that play (and at their will) with the fashion system form an overwhelming aesthetic symbiosis.<\/strong><\/p>\n

\"Sharna<\/p>\n

The New Zealand director phagocytes the pop current<\/strong>, breaks it into a thousand pieces and devotes herself to connecting the pieces in a different way. And she shows us that this is also how they fit together: in her videos there is a total reinvention of a category that we thought was closed and solid. Osborne fades conventions with anachronism<\/strong> and alternative vibes<\/strong>.<\/p>\n

\"Sharna<\/p>\n

Her tools are a Super 8<\/strong> and old VHS<\/strong> cameras, and with them she builds an unmistakable identity that has created a turning point and has transgressed barriers. And surprisingly, haute couture has joined the trend of the lo-fi avant-garde<\/strong>.<\/p>\n

London-based Sharna Osborne has polished the visual passport of top-class industry figures such as Longchamp<\/strong>, Christopher Kan<\/strong>e<\/strong><\/a> or Miu Miu<\/strong>. In her background we also find\u00a0Bimba y Lola<\/strong>, Vogue Italia<\/strong>, i-D<\/strong>, W Magazine<\/strong>, Fenty<\/strong><\/a> or Dazed & Confused<\/strong>.<\/p>\n