{"id":113647,"date":"2020-02-24T15:10:30","date_gmt":"2020-02-24T14:10:30","guid":{"rendered":"https:\/\/highxtar.com\/?p=113647"},"modified":"2020-02-24T15:20:50","modified_gmt":"2020-02-24T14:20:50","slug":"fendi-fall-2020-a-filter-on-feminity","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/fendi-fall-2020-a-filter-on-feminity\/","title":{"rendered":"Fendi Fall20 > A filter on feminity"},"content":{"rendered":"

One year after the loss of Lagerfeld, Silvia Venturini has taken up the baton of a demanding legacy, while introducing a new way of doing things, her own. Fresh air that perhaps did not have the windows open with the Kaiser in charge.<\/strong><\/p>\n

\"\"<\/p>\n

This season’s cast includes women who are not of the “usual” age or silhouette in these sets. Jill Kortleve<\/a> and Paloma Elsesser<\/a><\/strong> are only two names among fifty, but it is not by chance that Venturini<\/strong> -one of the only two women in charge of Milanese fashion- has brought it about. In her own words: “I am not really a prototype of that shape. So it\u2019s liberating for me to portray these clothes in a different way, on different sizes.”<\/p>\n

\"\"<\/p>\n

This liberation slips down the catwalk through a hybrid that works as a satire on the double standard that always passes through the same filter to women<\/strong>. A coat – exterior – that integrates the structure of a corset – interior – is a good example.<\/p>\n