{"id":117570,"date":"2020-03-19T10:52:41","date_gmt":"2020-03-19T09:52:41","guid":{"rendered":"https:\/\/highxtar.com\/?p=117570"},"modified":"2020-03-19T10:52:41","modified_gmt":"2020-03-19T09:52:41","slug":"off-whites-last-shades-are-quite-familiar-to-us","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/off-whites-last-shades-are-quite-familiar-to-us\/","title":{"rendered":"Off White’s last shades are quite familiar to us"},"content":{"rendered":"

It may seem that we got something against Virgil, but everything he drops strengthen our belief on his recent lack of creativity. This time, a pair of sunnies is another step in this direction.<\/strong><\/p>\n

\"OFF<\/p>\n

That Off White<\/strong><\/a> and Louis Vuitton’s<\/strong><\/a> inspiration fonts are clearly mixed is pretty obvious. That Virgil<\/strong><\/a> isn’t capable of making a difference between two firms that, in origin, should be even antagonistic ain’t a secret to anyone. Unfortunately, even his Off White FW20<\/strong><\/a> was a replica of the one for Louis Vuitton FW19<\/strong><\/a> where Alton Mason (@altonmason<\/a>)<\/strong> danced between the models. In this case, a claque dancer moved around the stage, reminding us so much of the one for the Parisian maison the previous year. If this wasn’t enough, do you remember those hats filled with holes in the Michael Jackson inspired collection? Aren’t those holes the same in the new Off White<\/strong><\/a> aesthetic? Yikes!<\/p>\n