{"id":128091,"date":"2020-05-21T20:37:22","date_gmt":"2020-05-21T18:37:22","guid":{"rendered":"https:\/\/highxtar.com\/?p=128091"},"modified":"2020-05-21T20:45:03","modified_gmt":"2020-05-21T18:45:03","slug":"israel-b-brings-the-spanish-drill-into-focus","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/israel-b-brings-the-spanish-drill-into-focus\/","title":{"rendered":"Israel B brings the Spanish drill into focus"},"content":{"rendered":"

Israel B<\/strong> or “el mejor en espa\u00f1ol”, as you like, has shaken the pillars of the trap in our country. Recently he has presented a track that besides being one of the best that we have heard lately, it becomes the starting point for a sound that until now has not been very diffused in our scene: the drill<\/strong><\/em>.<\/p>\n

\"Israel<\/p>\n

Israel B,<\/strong> previously Mark\u00e9s, is undoubtedly the result of years of work and trial and error. Artistic maturity brings with it successes such as Israel’s project: fresh, some bars elaborated – as always – and of course an innate and not imposed essence. The association with LOWLIGHT (@lowlightmusic<\/strong><\/a>) is undoubtedly the icing on the cake.<\/p>\n

Just a month and a half ago Israel B appeared in a video dressed in the purest Cam’ron style of 2002. A visual proposal in which hood<\/strong><\/em> and lyrics like “A m\u00ed me llaman el loco en la calle ‘onde vivo aunque lo intente disimular<\/em><\/span>” shook hands in a sublime way; all of it dressed up with a sound that we quickly recognized as drill<\/strong><\/em>.<\/p>\n