{"id":161435,"date":"2020-12-22T19:45:59","date_gmt":"2020-12-22T18:45:59","guid":{"rendered":"https:\/\/highxtar.com\/?p=161435"},"modified":"2021-08-05T20:25:26","modified_gmt":"2021-08-05T18:25:26","slug":"the-grimes-euphoric-history","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/the-grimes-euphoric-history\/","title":{"rendered":"The Grime’s euphoric history"},"content":{"rendered":"

The 2000s lived the emergence of a new underground scene in East London. Electronic or reggae bases were beginning to sound on the streets, and criminal artists were overwriting the lyrics. Based on a rejection of the mainstream and the hermetic music business, the children of the grime were born. We tell you their story.<\/strong><\/p>\n

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Pay As You Go Cartel<\/figcaption><\/figure>\n

About two decades ago, the MC’s<\/strong> (masters of ceremonies) found in the grime an ample to tell a reality that was at street level, among sequences of violence, crime, and drugs.<\/p>\n

The UK garag<\/strong>e was the vanishing point from which all those dancehall or reggae beats converged, in an attempt to return the energy and that raw old school rap to the rooms. They thus fused the OG style of rap and the hyperactivity of clubber music from the late nineties into a frenetic genre.<\/p>\n

Without record companies or managers to regulate this (anti)system, the kids from the eastern slums were creating a culture, a lifestyle based on the grime. Based on 140 BPM<\/strong> with variations, strong basses, an accelerated rhythm or dark rhymes in processes of creative anarchy.<\/p>\n