{"id":16753,"date":"2018-02-15T17:05:59","date_gmt":"2018-02-15T16:05:59","guid":{"rendered":"https:\/\/highxtar.com\/?p=16753"},"modified":"2018-02-15T16:51:56","modified_gmt":"2018-02-15T15:51:56","slug":"calvin-klein-205w39nyc-fw18-american-inspiration","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/calvin-klein-205w39nyc-fw18-american-inspiration\/","title":{"rendered":"Calvin Klein 205W39NYC FW18 | American Inspiration"},"content":{"rendered":"

If there’s anyone who can make it to the top twice in NYFW<\/strong>, that’s Raf Simons<\/strong>. The belgian designer has just presented his proposal FW18<\/strong>, and with this one there are already three, for Calvin Klein<\/strong>.<\/p>\n

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If in his previous collection he took us to the American Western<\/em>, he now reviews great landmarks and icons of American culture such as: the arrival to the moon, the Looney Tunes<\/em> or the instinct of safety and protection extracted from one of the great inspirations of this collection; the 1995 film: SAFE<\/strong>.<\/p>\n

Upon arrival, the attendees found a ground covered with popcorn that connected with the imaginary of the proposal linked to the cinema and a certain pop-art aesthetic. What we like most about the collection is the workwear<\/em> that blends perfectly with the concept of security against natural disasters so typical of American cinema. The nexus with his previous work comes from the hand of Raf Western<\/em><\/strong> shirt and the trousers that we could see on his SS18 and that this time were a little decontextualised.<\/p>\n

Calvin Klein 205W39NYC FW18<\/strong><\/pre>\n