{"id":19845,"date":"2018-07-24T14:20:19","date_gmt":"2018-07-24T12:20:19","guid":{"rendered":"https:\/\/highxtar.com\/?p=19845"},"modified":"2018-07-24T14:32:16","modified_gmt":"2018-07-24T12:32:16","slug":"lil-miquela-the-virtual-raxet","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/lil-miquela-the-virtual-raxet\/","title":{"rendered":"Lil Miquela | The Virtual ‘Raxet’"},"content":{"rendered":"

Lil Miquela (@lilmiquela<\/a>)<\/strong> is the virtual it girl configured through photography and rendering, raxet codes and updated software in a futuristic version. The bot has created a musical genre, ‘glitchy, auto-tuned pop’<\/em>, and defends the racial rights and the LGTBIQ collective to the end. But this is just the beginning of the synopsis.<\/p>\n

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Experimenting with reality and identity is now part of the visual age, which focuses on the ego and the superficial. And that is precisely what Lil does, to eliminate the limits of the physical and virtual world to create a parallel, technological reality. What isn’t she doing? Following the role of basic influencing, or hypersexualized stereotypes and canons of beauty.<\/p>\n

Miquela is like a 2018 SIM card run by someone (mysterious)<\/strong> who manages and powers it. In fact, first and foremost, her profile rises to that of an artist. Last year she became a singer and released her first single on Spotify, ‘Not Mine’: a downtempo pop single or R&B fusion that went viral in August of 17. This is precisely the career she wants to be perceived, blurring the superficial qualities. Who’s behind it is a mystery but it is speculated that it could be the graphic artist Nicole Ruggiero (@nicoleruggiero<\/a>)<\/strong>.<\/p>\n