{"id":252419,"date":"2022-02-07T21:34:03","date_gmt":"2022-02-07T20:34:03","guid":{"rendered":"https:\/\/highxtar.com\/?p=252419"},"modified":"2022-02-07T21:36:19","modified_gmt":"2022-02-07T20:36:19","slug":"indie-sleaze-is-cool-again","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/indie-sleaze-is-cool-again\/","title":{"rendered":"Indie sleaze is cool again"},"content":{"rendered":"

The term “indie sleaze”, coined by Mandy Lee a few months ago, takes us back to those episodes of Skins that depicted the life of a new generation. Between drugs, sex, alcohol and mental disorders, the portrait of the young people of an era that coincided with the irreverent aesthetics of 80s indie rock was fictionalised. Now, parties of personalities such as Julia Fox evoke precisely this imaginary of decadence photographed by dazzling flashes.\u00a0<\/strong><\/p>\n

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@daniellelevit<\/figcaption><\/figure>\n

We’re talking about a time when analogues portrayed those arrhythmic looks of T-shirts printed with ironic phrases + skinny jeans and Carrera sunglasses. Today, sites like @indiesleaze<\/strong><\/a> have arrived on the internet to take you back to the reign of the indie subculture<\/strong> that altered all kinds of uniforms to advocate chaos and tackiness.<\/p>\n

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Before it was a style, however, indie was a lifestyle; a state of mind towards life suspended in excess. Both Dior Homme<\/strong> and Slimane’s Saint Laurent<\/strong> explored precisely the imaginary of indie sleaze<\/strong>, launching their own version of pieces such as low-cut tops, colourful belts, bright flashes or transparencies.<\/p>\n