{"id":42394,"date":"2018-09-13T01:30:27","date_gmt":"2018-09-12T23:30:27","guid":{"rendered":"https:\/\/highxtar.com\/?p=42394"},"modified":"2018-09-13T01:39:17","modified_gmt":"2018-09-12T23:39:17","slug":"namilia-ss19-exaggeration-and-religion","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/namilia-ss19-exaggeration-and-religion\/","title":{"rendered":"Namilia SS19 >>> Exaggeration and religion"},"content":{"rendered":"

Namilia<\/strong> present\u00f3 en la NYFW un show de los que nos tiene acostumbrados: exagerado y lleno de sorpresas.<\/p>\n

\"Paris
Paris Hilton | Teyana Taylor<\/figcaption><\/figure>\n

Nan Li<\/em> and Emilia Pfohl<\/em> – the brand’s designers – showed us a forceful collection in which religion, gothic aesthetics, red and black took over. The show was inaugurated by Paris Hilton<\/strong>, who walked around with red, bulging angel wings combined with spectacular red vinyl trousers. The show was also joined by Teyana Taylor<\/strong> who toured the runway with a pair of similar wings. Both closed the show together with the Berlin based designers.<\/p>\n

\"\"<\/p>\n

The aesthetics halfway between a 2000’s rave party and bsdm-gothic reminded us of one of our favorite national brands: Maria Ke Fisherman<\/strong><\/a>.<\/p>\n

With a feminist background throughout the collection – some pieces included the phrase “In Namilia’s Name We Pray Awomen<\/em>” – and a confusing dichotomy between religion and the sexy outfits convinced critics as well as consolidating her unique aesthetics and concept at NYFW.<\/p>\n

Namilia SS19<\/strong><\/pre>\n