The 38th edition of the Goya Awards was held this Saturday 10 February in Valladolid. The big winner of the night was La sociedad de la nieve, with 12 awards, making it the third most awarded film in history. Among the awards are Best Film, Best Director and Best New Actor for Mat\u00edas Recalt, and Best Soundtrack, which were not foreseen in the pools, as well as all the technical awards.<\/p>\n\n\n\n
Best film<\/strong><\/p>\n\n\n\n 20,000 species of bees<\/p>\n\n\n\n ‘Close Your Eyes<\/p>\n\n\n\n ‘The Snow Society<\/p>\n\n\n\n ‘Saben aquell’ (They Know That)<\/p>\n\n\n\n ‘Un amor’ (One Love)<\/p>\n\n\n\n Best Leading Actor<\/strong><\/p>\n\n\n\n Manolo Solo, for ‘Cerrar los ojos’ (Close Your Eyes)<\/p>\n\n\n\n Enric Auquer, for ‘El maestro que prometi\u00f3 el mar’ (The teacher who promised the sea)<\/p>\n\n\n\n David Verdaguer, for ‘Saben aquell’ (They Know Here)<\/p>\n\n\n\n Hovik Keuchkerian, for ‘Un amor’ (One Love)<\/p>\n\n\n\n Alberto Ammann, for ‘Upon Entry<\/p>\n\n\n\n Best Actress in a Leading Role<\/strong><\/p>\n\n\n\n Patricia L\u00f3pez Arnaiz, for ‘20,000 Species of Bees<\/p>\n\n\n\n Mar\u00eda V\u00e1zquez, for ‘Matria<\/p>\n\n\n\n Malena Alterio, for ‘Que nadie duerma’ (Nobody Sleeps)<\/p>\n\n\n\n Carolina Yuste, for ‘Saben aquell’ (They Know Here)<\/p>\n\n\n\n Laia Costa, for ‘Un amor<\/p>\n\n\n\n Best direction<\/strong><\/p>\n\n\n\n V\u00edctor Erice, for ‘Cerrar los ojos’ (Close Your Eyes)<\/p>\n\n\n\n Elena Mart\u00edn, for ‘Creatura<\/p>\n\n\n\n J.A. Bayona, for ‘La sociedad de la nieve’ (The Snow Society)<\/p>\n\n\n\n David Trueba, for ‘Saben aquell’ (They Know That)<\/p>\n\n\n\n Isabel Coixet, for ‘Un amor’ (A Love)<\/p>\n\n\n\n Best Supporting Actress<\/strong><\/p>\n\n\n\n Ane Gabarain, for ‘20.000 especies de abejas’ (20.000 species of bees)<\/p>\n\n\n\n Itziar Lazcano, for ‘20.000 especies de abejas’ (20.000 bee species)<\/p>\n\n\n\n Clara Segura, for ‘Creatura<\/p>\n\n\n\n Ana Torrent, for ‘Cerrar los ojos’ (Close Your Eyes)<\/p>\n\n\n\n Luisa Gavasa, for ‘El maestro que prometi\u00f3 el mar’ (The Master Who Promised the Sea)<\/p>\n\n\n\n Best Supporting Actor<\/strong><\/p>\n\n\n\n Martxelo Rubio, for ‘20.000 especies de abejas’ (20.000 species of bees)<\/p>\n\n\n\n Juan Carlos Vellido, for ‘Bajo terapia’ (Under Therapy)<\/p>\n\n\n\n Jose Coronado, for ‘Cerrar los ojos’ (Close Your Eyes)<\/p>\n\n\n\n \u00c1lex Brendem\u00fchl, for ‘Creature<\/p>\n\n\n\n Hugo Silva, for ‘Un amor<\/p>\n\n\n\n Best new actor<\/strong><\/p>\n\n\n\n Brianeitor, for ‘Campeonex<\/p>\n\n\n\n Julio Hu Chen, for ‘Chinas<\/p>\n\n\n\n Mat\u00edas Recalt, for ‘La sociedad de la nieve’ (The Snow Society)<\/p>\n\n\n\n La Dani, for ‘Te estoy amando locamente’ (I’m loving you madly)<\/p>\n\n\n\n Omar Banana, for ‘Te estoy amando locamente’ (I’m loving you madly)<\/p>\n\n\n\n Best Newcomer Actress<\/strong><\/p>\n\n\n\n Xinyi Ye, for ‘Chinas’.<\/p>\n\n\n\n Yeju Ji, for ‘Chinas’.<\/p>\n\n\n\n Cl\u00e0udia Malagelada, for ‘Creatura<\/p>\n\n\n\n Sara Becker, for ‘La contadora de pel\u00edculas’ (The Movie Counter)<\/p>\n\n\n\n Janet Nov\u00e1s, for ‘O corno’ (The Horn)<\/p>\n\n\n\n Best New Director<\/strong><\/p>\n\n\n\n Estibaliz Urresola Solaguren, for ‘20.000 especies de abejas’ (20.000 species of bees)<\/p>\n\n\n\n Itsaso Arana, for ‘Las chicas est\u00e1n bien’ (The girls are fine)<\/p>\n\n\n\n \u00c1lvaro Gag, for ‘Matria’ (Matria)<\/p>\n\n\n\n Alejandro Mar\u00edn, for ‘Te estoy amando locamente’ (I’m loving you madly)<\/p>\n\n\n\n Alejandro Rojas and Juan Sebasti\u00e1n V\u00e1squez, for ‘Upon Entry’.<\/p>\n\n\n\n Best Original Screenplay<\/strong><\/p>\n\n\n\n Estibaliz Urresola, for ‘20.000 especies de abejas’ (20.000 species of bees)<\/p>\n\n\n\n Michel Gaztambide and V\u00edctor Erice, for ‘Cerrar los ojos’ (Close Your Eyes)<\/p>\n\n\n\n Alejandro Mar\u00edn and Carmen Garrido, for ‘Te estoy amando locamente’ (I’m loving you madly)<\/p>\n\n\n\n F\u00e9lix Viscarret, for ‘Una vida no tan simple’ (A Not So Simple Life)<\/p>\n\n\n\n Alejandro Rojas and Juan Sebasti\u00e1n V\u00e1squez, for ‘Upon Entry’.<\/p>\n\n\n\n Best adapted screenplay<\/strong><\/p>\n\n\n\n Albert Val, for ‘El maestro que prometi\u00f3 el mar’ (The Master Who Promised the Sea)<\/p>\n\n\n\n Bernat Vilaplana, J.A. Bayona, Jaime Marques-Olarreaga and Nicol\u00e1s Casariego, for ‘La sociedad de la nieve’.<\/p>\n\n\n\n Pablo Berger, for ‘Robot Dreams’.<\/p>\n\n\n\n Albert Espinosa and David Trueba, for ‘Saben aquell’.<\/p>\n\n\n\n Isabel Coixet and Laura Ferrero, for ‘Un amor’.<\/p>\n\n\n\n Best Documentary Film<\/strong><\/p>\n\n\n\n ‘Caleta Palace<\/p>\n\n\n\n ‘Contigo, contigo y sin m\u00ed’ (With You, With You and Without Me)<\/p>\n\n\n\n ‘Esta ambici\u00f3n desmedida<\/p>\n\n\n\n ‘Iberia: infinite nature<\/p>\n\n\n\n ‘As long as you are you, the here and now of Carme Elias’.<\/p>\n\n\n\n