{"id":436987,"date":"2024-02-28T15:40:47","date_gmt":"2024-02-28T14:40:47","guid":{"rendered":"https:\/\/highxtar.com\/?p=436987"},"modified":"2024-02-28T15:40:49","modified_gmt":"2024-02-28T14:40:49","slug":"dior-fw24-continues-to-champion-feminism-through-miss-dior","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/dior-fw24-continues-to-champion-feminism-through-miss-dior\/","title":{"rendered":"Dior FW24 continues to champion feminism through ‘Miss Dior’"},"content":{"rendered":"\n

In keeping with Maria Grazia Chiuri’s commitment to empowering women through her collections.<\/h2>\n\n\n\n
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Yesterday, the historic Jardin des Tuileries<\/strong> in the French capital was the perfect location to unveil Chiuri<\/strong>‘s ready-to-wear collection for Fall-Winter 2024<\/strong>. As usual, the Maison<\/em>‘s large grey cubicle stood imposingly over the nature of the space, welcoming numerous celebrities, ambassadors, friends and relevant personalities of the sector such as Rosalia<\/strong>, Jennifer<\/strong> Lawrence<\/strong>, Maisie Williams<\/strong>, Natalie Portman<\/strong> or Deva<\/strong> Cassel<\/strong>, among many others. And we had the opportunity, once again, to be part of this historic moment.<\/p>\n\n\n\n

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The interior space, conceived by the artist Shakuntala Kulkarni<\/a><\/strong>, was completely taken over by her installation in which she refers to the rediscovery of the fighting power that a woman’s body can embody, this moment being a key point in the personal, political and cultural journey of women. Born in 1950 in India<\/strong>, Kulkarni<\/strong> explores the relationship between the female body and public and private urban spaces. It is for this reason that Maria Grazia Chiuri<\/strong> has worked hand in hand with her, fighting together for women’s liberation and empowerment through art.<\/p>\n\n\n\n

All of this is in keeping with the initial idea that inspired the creative director for the new Dior<\/strong> season: the transitional era of the late 1960s, when fashion left the atelier with the aim of conquering the world. Likewise, the birth of the Miss Dior<\/strong> line in 1967 was a milestone in the history of the fashion house, bringing together art, fashion, architecture and music, and establishing the figure of Gabriella Crespi<\/strong>, a fascinating source of inspiration for Marc<\/strong> Bohan<\/strong>. For Chiuri<\/strong>, this muse symbolises that pioneering generation of independent women who managed to empower themselves through their work, and she now pays tribute to them through new elements conceived by herself.<\/p>\n\n\n\n

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The scarf appears in this collection as a must-have accessory, adapting to all kinds of situations while protecting, wrapping and embellishing. Trench coats, double cashmere pieces, over-the-knee skirts and double-breasted coats were repeated on the catwalk, while the MISS DIOR<\/em><\/strong> logo took over many of the styles as if someone had painted them with a big brush. Leopard print made an appearance on bright knitted sets as well as bags and hats, while studs were replaced by elaborately embroidered beads of precious crystals.<\/p>\n\n\n\n

“He wanted a woman to be able to leave the boutique dressed by him from head to toe, even carrying a gift in her hand”<\/em><\/strong> – Christian Dior<\/p>\n\n\n\n

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