{"id":488194,"date":"2024-12-16T13:39:28","date_gmt":"2024-12-16T12:39:28","guid":{"rendered":"https:\/\/highxtar.com\/yung-beef-hace-historia-con-su-dia-de-la-bestia-en-madrid\/"},"modified":"2024-12-18T13:49:08","modified_gmt":"2024-12-18T12:49:08","slug":"yung-beef-makes-history-with-his-day-of-the-beast-in-madrid","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/yung-beef-makes-history-with-his-day-of-the-beast-in-madrid\/","title":{"rendered":"Yung Beef makes history with his \u201cDay of the Beast\u201d in Madrid"},"content":{"rendered":"\n

Does the devil also go to church? I would say yes.<\/h2>\n\n\n\n
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It had been almost three years since Yung Beef last performed in Madrid. Well, I\u2019m not sure if what he does can be called a concert, a satanic ritual, or a stroll through Hell. What\u2019s certain is that on December 14th, he delivered one of the most remarkable shows of his career at the Palacio Vistalegre.<\/p>\n\n\n\n

Yung Beef kicked off the setlist with power, and the crowd knew it from the very first beat of “Beef Boy.”<\/strong> Surrounding him were infernal figures vaping, as if even that trend had reached the Kingdom of Lucifer. When Fernandito stepped onto the stage, the connection was immediate\u2014like a reunion between a prophet and his followers. What followed was a journey through his career, from recent tracks like “La 125”<\/strong> (although Quevedo didn\u2019t show up to join him) and “Cherry”<\/strong> with Ra\u00fal Clyde, to classics like “Metallica.”<\/strong><\/p>\n\n\n\n

Divided into segments representing the seven deadly sins\u2014Lust, Wrath, Sloth, Violence, Greed, Gluttony\u2014each act was accompanied by a visual experience unprecedented in Fernandito’s shows. The production was masterminded by V\u00e9lodrome<\/a><\/strong>, bringing the spectacle to life. On stage, figures dressed as demons shared space with women wrapped in bandages, as if freshly emerged from surgery, symbolizing a sick obsession with perfection and excess. It felt unsettling yet utterly captivating. The audience was drawn into a morbid state, as happens with all things tied to desire and sin\u2014you know what I mean. We\u2019re all little devils sometimes, aren\u2019t we? And we love it. But we also have our weaknesses, and I guarantee those resonated in our minds as Lucifer performed tracks like “Effy,” “Rosas Azules,”<\/strong> and “Nos fuimos Lejos.”<\/strong><\/p>\n\n\n\n

What happened at Saturday\u2019s communion, like all of El Seko\u2019s gatherings\u2014and the ideas fueling them\u2014might seem aberrant to some. But I don\u2019t think that\u2019s necessarily a bad thing. For an artistic expression, or an entire movement (of which he\u2019s obviously the godfather), to deeply shock the “foreigners” of this mass is proof that it\u2019s stirring something\u2014and that, in itself, is a major achievement. The repertoire of \u201cEl D\u00eda de la Bestia\u201d<\/strong> was no exception. From the raw, unfiltered trap of tracks like “Singapur”<\/strong> and “Las Prendas,”<\/strong> to the dark, melancholic reggaeton of songs like “Infierno”<\/strong> and “Articuno,”<\/strong> which he performed with Albany. There was even space to revisit the days of PXXR GVNG<\/strong> with songs like “El Cigala.”<\/strong><\/p>\n\n\n\n

Yung Beef was rarely alone on stage throughout the night. Sticky M.A. joined him for “Diablo,”<\/strong> while Hakim, Soto Asa, and Kaydy Cain also took the stage to perform their anthems alongside Fernando. The absence of Pablo Chill-E was felt, but it was more than made up for by the utterly unexpected appearance of Cecilio G during “Nubes Negras,”<\/strong> a duet with Yung Beef and Goa.<\/p>\n\n\n\n

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At one point, Fernando dropped a line that summed up the entire night: \u201cThis is better than going to church.\u201d<\/strong> And he wasn\u2019t wrong. He delivered a liturgy that perfectly resonated with his sinful followers. Four outfit changes marked the distinct acts of the show, saving the final one for his closing soliloquy. Surrounded by red lights and a haze-filled atmosphere, Fernando stood \u201cReady Pa\u2019 Morir,\u201d<\/strong> exuding the aura of a messiah praying for his audience\u2014or perhaps for something even greater, his own redemption: \u201cMami, dame la bendici\u00f3n.\u201d<\/strong><\/p>\n\n\n\n

For years, Fernando has defied industry norms, releasing albums and projects on his own terms, without bowing to marketing strategies or record label demands. He\u2019s paved his own way, and somehow, all of us have ended up following him, step by step. I can\u2019t help but think: \u201cDamn, Fernando, you\u2019re an anarchist, sure, but also a hopeless romantic\u2014just look at yourself.\u201d<\/strong><\/p>\n\n\n\n

It seems that Fernando\u2019s new era as La Bestia<\/strong> is far from over, with plans to take his act to Latin America in 2025. The concert was nothing short of remarkable. It was provocative, but it was also honest\u2014and that\u2019s what makes Yung Beef such a unique artist: he doesn\u2019t just entertain; he unsettles, challenging both our angels and our demons. In the end, isn\u2019t that where we all exist, somewhere between the two?<\/p>\n\n\n\n

The underworld is the beating heart of\u00a0Infierno Festival.<\/strong>

<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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