Granada, cradle of history and art, was the epicentre of the 39th edition of the Goya Awards 2025, where Spanish cinema was crowned as the great protagonist of the evening. The evening, presented by the incomparable Maribel Verd\u00fa and Leonor Watling, unfolded with a serene elegance, a natural fluidity that made room for both speeches of forceful vindicatory character and tributes of emotional intensity. All this, seasoned with musical performances that set the pulse of a gala marked by surprise and history. El 47, with its 5 top films, led the ceremony, while Segundo Premio and La habitaci\u00f3n de al lado won 3 statuettes each, giving shape to a diversity of awards that ratified the plural and distributed character of this historic edition.<\/p>\n\n\n\n
Ant\u00f3n \u00c1lvarez is the perfect example of the fact that art has no boundaries, not even those of the genre itself. His foray into the Goya Awards did not result in two awards: Best Original Song for Los almendros, together with Yerai Cort\u00e9s and La Tania, and Best Documentary Film for La guitarra flamenca de Yerai Cort\u00e9s. His speech, which oscillated between self-criticism and irreverence, made it clear that this was not only a professional triumph, but also a lesson in humility: \u2018Let’s be understanding, because the bigger the mistake, the more we need the forgiveness of others\u2019.<\/p>\n\n\n\n