{"id":571471,"date":"2026-02-20T14:00:03","date_gmt":"2026-02-20T13:00:03","guid":{"rendered":"https:\/\/highxtar.com\/el-fin-de-la-funcion-moda-hecha-para-el-scroll-y-no-para-los-cuerpos\/"},"modified":"2026-02-20T14:18:17","modified_gmt":"2026-02-20T13:18:17","slug":"el-fin-de-la-funcion-moda-hecha-para-el-scroll-y-no-para-los-cuerpos","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/el-fin-de-la-funcion-moda-hecha-para-el-scroll-y-no-para-los-cuerpos\/","title":{"rendered":"El fin de la funci\u00f3n: moda hecha para el scroll y no para los cuerpos"},"content":{"rendered":"\n

Design <\/strong>is, by definition, the process of preliminary mental configuration\u2014or “prefiguration”\u2014that precedes the search for solutions to make a product both useful and attractive. Under this premise, design should be a bridge between human necessity and aesthetics. However, in contemporary fashion, that bridge has been broken. The industry has stopped seeking solutions for the body and has begun to design exclusively for the interface.<\/p>\n\n\n\n

In this new era, “prefiguration” no longer occurs with anatomy in mind, but rather the algorithm. Fashion has undergone a radical mutation: it has stopped being designed for human movement and has started being designed for the scroll. It no longer matters if a bag is ergonomic or if a jacket allows one to bend their arm; what matters is whether a piece is capable of stopping our thumb for half a second. It is the era where brands have stopped dressing bodies to start decorating pixels.<\/p>\n\n\n

\n
\"\"
Rihanna at the AWGE show with Dior’s Dracula bag. GETTY IMAGES<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

This physical disconnection becomes evident when we observe pieces that look more like a film prop than a garment. Dior\u2019s Dracula bag<\/strong> is the perfect symptom: an object with a visual load so dense that it nullifies the wearer. It is not an accessory to accompany an outfit; it is an “object-character” that demands absolute protagonism in the photo. But Dior<\/strong> is not alone in this tactical delirium. We see it when JW Anderson<\/strong> forces us to carry a rigid resin pigeon in our hand\u2014a bag without handles or flexibility that turns us into luxury taxidermists for the sake of a like.<\/p>\n\n\n\n

\n
<\/div>
<\/div>
<\/div><\/div><\/div>
<\/div>
<\/path><\/g><\/g><\/g><\/svg><\/div>
View this post on Instagram<\/div><\/div>
<\/div>
<\/div>
<\/div>
<\/div><\/div>
<\/div>
<\/div><\/div>
<\/div>
<\/div>
<\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/a><\/div><\/blockquote>