{"id":68327,"date":"2019-03-04T16:01:19","date_gmt":"2019-03-04T15:01:19","guid":{"rendered":"https:\/\/highxtar.com\/?p=68327"},"modified":"2019-03-04T16:07:30","modified_gmt":"2019-03-04T15:07:30","slug":"celine-fw19-the-return-of-the-french-bourgeoisie-of-the-1970s","status":"publish","type":"post","link":"https:\/\/highxtar.com\/en\/celine-fw19-the-return-of-the-french-bourgeoisie-of-the-1970s\/","title":{"rendered":"Celine fw19 >>> The return of the french bourgeoisie of the 1970s"},"content":{"rendered":"

Celine revives the aesthetics of the classic Parisian woman that Vogue venerated decades ago.<\/strong><\/h3>\n

\"Celine<\/strong><\/h3>\n

In his third presentation for the house, Hedi Slimane repeated the National Palace of the Invalids in Paris as the setting to unveil her new collection. This is a proposal that breaks with the controversy that had his debut in the French firm<\/strong>, which brought him a flood of criticism for “betraying the legacy” of Phoebe Philo, and is closer to Celine’s DNA<\/strong>. While the previous season was inspired by parties and the new wave, this time Slimane dives into the bourgeois. The sobriety and elegance that was hailed half a century ago <\/strong>has now been the source of inspiration for the designer.<\/p>\n