The Attico landed in Milan with a clear, uncompromising message. Gilda Ambrosio and Giorgia Tordini are at ease with contradiction. They have spent years building an imagery that blends opposites. This time, they took it to a new level with a wardrobe that is polished yet unpredictable.
In the front row, Ice Spice, Sami Miro and Sevdaliza witnessed a presentation where trench coats stretched into long, precise silhouettes. Strict tailoring was combined with lace, and unfinished hems were embraced as a style detail. Layers of tense collars, cinched waists revealing glimpses of lingerie. A constant play between masculine and feminine codes, between professional and intimate.
Accessories carried equal weight. Extreme sandals combining cork and stiletto heels, and the launch of the La Passeggiata Mini, a smaller, street-ready version of the signature bag, available in seven styles.
Most importantly, however, was the idea that gives the collection its meaning. “Lei è così” does not seek to define anything. In Italian, the phrase does not mean “she is like that,” but rather acknowledges that she cannot be pigeonholed. A statement on the impossibility of limiting femininity to a single label.
That is the essence of The Attico. An instinctive, magnetic woman, impossible to confine.
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